|
|
Death: The High Cost of Living
|

|
List Price: $12.99
Our Price: $10.39
Your Save: $ 2.60 ( 20% )
Availability: Usually ships in 24 hours
|
Manufacturer: Vertigo
Average Customer Rating:     

|
|
Binding: Paperback Dewey Decimal Number: 741.5973 EAN: 9781563891335 ISBN: 1563891336 Label: Vertigo Manufacturer: Vertigo Number Of Items: 1 Number Of Pages: 104 Publication Date: 1994-06-01 Publisher: Vertigo Release Date: 1994-06-01 Studio: Vertigo
|
|
|
|
|
|
Editorial Reviews:
|
/Neil Gaiman /Dave McKean, Chris Bachalo and /Mark Buckingham, illustrators From the pages of THE SANDMAN LIBRARY Neil Gaiman tells the story of the one day every hundred years when Death, older sister of The Sandman, walks among humans to gain a better understanding of.
|
|
|
Spotlight customer reviews:
|
Customer Rating:      Summary: A Living Death Comment: This Graphic Novel is decent, but doesn't compare to The Sandman Series. It is still worth a read.
Customer Rating:      Summary: something of a sweet girl Comment: Death is really a sweetheart. Gaiman did great portraying her in the way he did. Now, I wasn't a huge fan of this book, though I like the characters. It's not a bad story, but just didn't leap out at me the way that Gaiman's work usually does.
Customer Rating:      Summary: Interesting story, great read Comment: I decided to check out this book because I love Sandman and was intrigued to see what Gaiman would do with more of a focus on Death, and I must say I really enjoyed it. The events that happen to Death as she takes on a mortal life for a day are really interesting, at times humorous, at other times scary, and always original and fun. Sandman lovers have got to check this book out.
Customer Rating:      Summary: light and fluffy story Comment: For all that I adore Neil Gaiman, I've never gotten into 'Sandman'. It's mostly that graphic novels have never done anything for me. I don't mind them, per se, but they've never been interesting or captivating for me. I can't get into the differences between different pencillers and letterers and artists. Aside from the big obvious things, I just don't see a difference. I started to read this only because I've enjoyed all of his novels and short stories.
It's fair to say that I enjoyed the story. It's a day-in-the-life story of Death's centennial 24-hour mortal holiday. Along the way, she meets three people who are looking for Death, but only two of them know that they are dealing with Death.
I never really got into it the story here. It was pretty light and fluffy. It's not a story that will stick with me. It won't stop me from giving 'Sandman' another go in the future, but it definitely hasn't convinced me to move it up in my to-read queue either. As far as Neil's work goes, I would recommend Stardust long before I recommended reading this.
Customer Rating:      Summary: Death is really a sweetie Comment: For me, as for many fans of the "Sandman" series, the best character is Death. Gaiman conceives her not as a frightening figure in a cowl and carrying a scythe, but as an exceedingly perky young woman who wears black jeans and leotards and sports rather Goth-y makeup. She likes people -- she meets everyone eventually -- and for one day per century she takes human form, just to keep in touch. This time, under the name of Didi, she hooks up with a depressed sixteen-year-old named Sexton, who is contemplating suicide. Sexton witnesses her interaction with Mad Hettie, who is 250 years old and wants her heart back, and with the Eremite, who tries to gain power over her, and with Hazel, the pregnant lesbian who appears in volume 5 of "Sandman." Sexton observes that Didi somehow never has to pay for anything, not even cab fares. Death is particularly winning in this outing, taking job in everything and pronouncing it "Neat!" At the end of the volume is a reprinting of the groundbreaking six-page comic, "Death Talks about Life," a straight-up warning about AIDS and STDs generally, with a brief lesson (using a banana) on condoms. I don't know if it won awards, but it should have.
|
|
|
|
|
|
|
|
|
|